I've quit with the line edits, and am concentrating on structure. If a line isn't in the right place, who cares if it sounds good or not?
Now my questions are: Where is the story's true beginning? Where is the inciting incident? Are there a bunch of different ones? Are any status quo-esque scenes necessary? Am I *telling* enough? Who *are* these people? Their lives are so freaking weird! How could anyone hope to understand what's going on?!
(Obviously, I'm freaking out. So more work on the spec. script until I work up the nerve to start on DROOLING ZOMBIES. I'm breaking into a sweat just thinking about it. Or maybe that's just from the coffee).
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